Acknowledgements
Written, compiled and edited by Marilène Oliver, Alissa Hamilton, and Katrina Ingram, 2021
These guidelines have been informed by many conversations and discussions with all the Know Thyself as a Virtual Reality (KTVR) research team, invited speakers, and guests: Zach Blas (University of Toronto), Dana Dal Bo, Pierre Boulanger (Computer Science, U of A), Chelsey Campbell (Art & Design, U of A), J.R. Carpenter (Digital Literature, University of Southampton), Silvia Casini (Visual Culture, Science and Technology, University of Aberdeen), Craig Chapman (Kinesiology, U of A), Jonathan Cohn (Digital Humanities, U of A), Susan Cox (Research Ethics, University of British Columbia), Joelle Dietrick (Digital Studies, Davidson College), Daniel Evans (Art & Design, U of A), Gabor Fichtinger (Queen’s University, U of A), Martin Ferguson-Pell (Biomedical Engineering, U of A), Jonathan Garfinkel (Medical Humanities, U of A), Gillian Harvey (Design Studies, U of A), Fahim Hassan (Public Heath, U of A), Katrina Ingram (AI Ethics, Ethically Aligned AI), Greg Kawchuck (Rehabilitative Medicine, U of A), Manal Kleib (Nursing, U of A), Ewen Lavoie (Kinesiology, U of A), Nathanial Maeda (CogPro, U of A), Lianne McTavish (History of Art, Design, and Visual Culture, U of A), Jerrold McGrath (UKAI, Toronto), Stephan Moore (Music, Northwestern University), Owen Mundy (Digital Studies, Davidson College), Remigius Nwabueze (Law, University of Southampton), Ubaka Ogbogu (Law, U of A), Walter Ostrander (Computer Engineering, U of A), Dhara Pancholi (Computer Science, U of A), Kumaradevan Punithakumar (Radiology and Diagnostic Imaging, U of A), Geoffrey Rockwell (Philosophy, U of A), Peter Seres (Peter S. Allen Scanner Centre), Scott Smallwood (Music, U of A), Kirtan Shah (Computer Science, U of A), and Richard Thompson (Biomedical Engineering, U of A).
Special and sincere thanks to reviewers Lianne McTavish, Jonathan Cohn, Nidhi Hedge, Jacob Jaremko, and Kumaradevan Punithakumar.
The KTVR research project has is supported by a Kule Institute for Advanced Studies grant and a Social Sciences and Humanities Research Council Insight Development Grant.